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Jeter, and the X-Wing novels by Michael A. Throughout the ’90s, other books like The Truce at Bakura by Kathy Tyers, The Bounty Hunter Wars trilogy by K.W. With the Emperor finally defeated and Darth Vader redeemed, Luke Skywalker, Princess Leia, and Han Solo lived happily ever after on the big screen, but in 1991, Timothy Zahn’s classic Legends novel Heir to the Empire showed us that there were still many, many more battles and wars to fight beyond Endor. Time, and Twitter, always win.Star Wars: Return of the Jedi may have given George Lucas’ Original Trilogy a fitting end in 1983, but it was also only the beginning of something much bigger. "Star Wars: The Force Awakens" has been an experiment in how a studio can turn back the clock - in several ways, actually, but particularly when it comes to pre-release information. But the world is a new-fashioned place, and the reactions could only follow in kind. In an era when old-fashioned movie unveilings are rare, Disney tried to create one.
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And with so much information available, the outcome of that battle is rarely in doubt, though that hasn't stopped weapons from being furnished or star pleas from being made. Curiosity and mystery duke it out in the antipodal filmgoer mind. Interest in a phenomenon like "Star Wars" operates on two almost-opposite levels in our current moment: There's a craving to be surprised but a need to find out. In fact, it's not even clear that we ever truly had a desire not to know, judging by the widespread online inquiries Monday. In such a world, an ounce of mystery is worth a pound of goodness. There are those - Abrams is among them -who would argue that less is more in a culture that is long past the point of trailers giving away the whole movie (these days, blogs and pre-release coverage do that). Whether this was all a good way for a consumer to experience the release of a movie is a more complicated question. At this point, spoilers - or even lukewarm sentiments - are not going to stop anyone from buying tickets. This is all fine from Disney's standpoint, since no information or reaction can change the movie's box-office trajectory. Wednesday will ensure that every plot point is scalpeled, dissected and analyzed before the first consumer ever steps into a theater. I know it's poetry, I know it rhymes, but does every line have to rhyme with the last poem?"Īnd, of course, the reviews coming out at 12:01 a.m. The influential blogger Devin Faraci, for example, left the theater and tweeted: "STAR WARS: THE FORCE AWAKENS is ok. Meanwhile, negativity, even of the mild sort, became a fulcrum of online obsession. Wow," the tweet was "liked" thousands of times, many of the likers wanting to know just what it was that was so wow-worthy. When Patton Oswalt tweeted, "Without spoiling it, I can say that #StarWarsForceAwakens has the BEST final shot of any Star Wars film. And so information that would have been doled out, reacted to, made peace with, then debated anew over months all came out and went through that process within hours, like some kind of movie-marketing particle accelerator.īreathless positivity and plot hints were reverberating all around.
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